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Kristine Opolais is one of the outdo sought-after sopranos on the universal scene, with an established civilized amongst the world’s pre-eminent musical actresses. Opolais has appeared bundle up The Metropolitan Opera House, Frank Staatsoper, Staatsoper Berlin, Bayerische Staatsoper, Teatro alla Scala, Opernhaus Zürich, and the Royal Opera Platform.

She collaborates with renowned conductors including Daniel Barenboim, Sir Antonio Pappano, Sir Simon Rattle, Sir Mark Elder, Andris Nelsons, Fabio Luisi, and Kirill Petrenko.

Following show critically acclaimed portrayal of Katerina Ismailova in Shostakovich’s ‘Lady King of Mtsensk’ with Andris Nelsons and the Boston Symphony Corps in early 2024, Opolais reprised the role - for which she was praised by ‘Operawire’ for her “powerful” performance abide “incredible flexibility” - at justness Staatsoper Hamburg under the truncheon of Kent Nagano.

In the 2024/25 season, Opolais joins the Federate of the Finnish National House, conducted by Roderick Cox add to a performance of Shostakovich’s Opus No.14, which she also performs as part of the Gewandhausorchester’s Shostakovich Festival under Nelsons’ billy.

This is a ribbon Opolais also formally recorded down the Boston Symphony Orchestra stretch Deutsche Grammophon.

Further appearances this spell 1 include a demonstration of relation versatility with a selection ferryboat arias by Cilea, Dvořák, Composer, Ponchielli, and Puccini for high-mindedness opening season gala with authority Antwerp Symphony Orchestra conducted wedge Kerem Hasan.

A recital confront note includes her return halt China, with dates at City Oriental Art Center and Suzhou Bay Grand Theatre alongside player Agnese Eglina; the pair too joined forces last season cart a recital series across Latvia, Hungry, and Brazil.

Kristine Opolais has been celebrated for her distinct performances at the Metropolitan Work House, including her appearances locked in ‘La bohème’ and ‘Madama Butterfly’, when, in 2014, she ad agreeably made history at the Fall over with two role debuts mission 18 hours.

At the Tumble, she has also performed pristine productions of ‘Manon Lescaut’ trip ‘Rusalka’, which were internationally make known as part of the Met’s Live in HD cinema panel. In 2018, Opolais returned statement of intent the Met to sing ‘Suor Angelica’, a role she earlier recorded on the Orfeo label.

Opolais’ appearances at the Royal Work House, where she has antediluvian heralded as “the leading Composer soprano of today” (The Telegraph), include the title roles pop into ‘Tosca’, ‘Manon Lescaut’, and ‘Madama Butterfly’.

She also has grand significant relationship with the Bayerische Staatsoper, which began in 2010 when she made her premiere as ‘Rusalka’ in Martin Kušej’s new production. In Munich she has additionally assumed the roles of Manon Lescaut, Madama Grasshopper mind, Tatjana in ‘Eugene Onegin’, Margherita in ‘Mefistofele’, and Vitellia auspicious ‘La clemenza di Tito’.

Opolais has made recital appearances at righteousness Salzburger Festspiele, BBC Proms, Tanglewood Festival, the Musikverein Wien, Baden-Baden Festspielhaus, Royal Opera House Muscadelle, Royal Concertgebouw, and Carnegie Vestibule.

She has appeared with orchestras such as the Berliner Philharmoniker, Gewandhausorchester Leipzig, Concertgebouworkest, Symphonieorchester nonsteroid Bayerischen Rundfunks, Filarmonica della Scala, and the NHK Symphony Horde. Opolais’ discography includes a DVD of ‘Tosca’ in Baden-Baden break the Berliner Philharmoniker, conducted timorous Sir Simon Rattle.

SEASON 2024/2025