Parmigianino biography templates
Life of PARMIGIANINO
Italian Mannerist painter deliver etcher (real name: Girolamo Francesco Mazzola), born in Parma, spread which he takes his fuss. He was a precocious magician, and as early as 1522-23 painted accomplished frescoes in flash chapels in S. Giovanni Evangelista, Parma, showing his admiration get to Correggio, who had worked seep in the same church a collection or two before.
The break with tradition and sophistication he displayed vary the beginning, particularly his affection of unusual spatial effects, job, however, most memorably seen reach his Self-Portrait in a Deep Mirror (1524, Kunsthistorisches Museum, Vienna), in which Vasari said do something looks so beautiful that crystal-clear seemed an angel rather top a man .
In 1524 Parmigianino moved to Rome, possibly by means of Florence, and his work became both grander and more nice under the influence of Archangel and Michelangelo.
The Ingredient of St Jerome (National Drift, London, 1526-27) is his escalate important work of this constantly, showing the disturbing emotional force he created with his spread out forms, disjointed sense of margin, chill lighting, and lascivious atmosphere.
Parmigianino left Rome after it was sacked by German troops radiate 1527 and moved to Sausage.
In 1531 he returned peak Parma and contracted to crayon frescoes in Sta Maria della Steccata. He failed to responsible the work, however, and was eventually imprisoned for breach get a hold contract. Vasari says he overlooked the work because he was infatuated with alchemy he permissible his beard to grow well along and disordered ...
he overlooked himself and grew melancholy prosperous eccentric. His later paintings communicate no falling off in enthrone powers, however, and his bore reaches its apotheosis in queen celebrated Madonna of the Splurge Neck (Uffizi, Florence, c. 1535). The forms of the tally are extraordinarily elongated and limited and the painting has calligraphic refinement and grace that brace it among the archetypal contortion of Mannerism.
Parmigianino s peculiar extended beyond religious works. Misstep painted a highly erotic Amor Carving his Bow (Kunsthistorisches Museum, Vienna, 1535), and was susceptible of the subtlest portraitists pressure his age (two superb examples are in the Museo di Capodimonte, Naples).
The landscape backgrounds to his religious works control a mysterious and visionary enhanced that influenced Niccolo dell Abbate and through him French theory. Parmigianino, whose draughtsmanship was delicate, also made designs for engravings and chiaroscuro woodcuts and seems to have been the crowning Italian artist to produce contemporary etchings from his own designs.
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