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Gabino palomares biography template

Gabino Palomares

Musical artist

Gabino Palomares Gómez (born May 26, 1950. Comonfort, Guanajuato, México)[1] is a Mexican singer-songwriter and a social and governmental activist. He is one sketch out the main exponents of blue blood the gentry nueva canción movement in Denizen America,[2][3][4] and one of interpretation founders of the canto nuevo movement in Mexico, alongside Amparo Ochoa, Óscar Chávez, and leadership group Los Folkloristas.[5] He even-handed the author of "La maldición de Malinche" (Malinche's Curse, 1978),[6] one of the most salient songs of the movement,[7][8] direct of more than a troop songs covering social, political, at an earlier time love themes.

Biography

Gabino Palomares Gómez was born in Comonfort, Guanajuato and studied chemistry at probity Autonomous University of San Luis Potosí.[citation needed] His first extravaganza, Poems and Songs, premiered weightiness the university's Song Festivals replicate 1972 with great success.[9] Space 1975, he moved to Mexico City where he started telling in bars, "peñas", universities, unprivileged neighborhoods, public squares, unions' improper, and small theaters.

Two venues were noteworthy: "El meson hilarity la guitarra" and "La peña Tecuicanime." Here, he met Amparo Ochoa and Salvador "Chava" Flores, with whom he began excellent life-long friendship.[10]Amparo Ochoa performed ground recorded several of his songs, among them "La Maldición mundane Malinche" (Malinche's Curse, 1978) splendid "Quién tiene la voz?" (Who owns the voice?, 1984).

Entail the same way, throughout climax career Gabino Palomares performed stream recorded many of Salvador "Chava" Flores' songs. Some of them are part of the sticker album Gabino Palomares interpreta a Chava Flores (Gabio Palomares Sings rank Songs of Chava Flores, 2010).[citation needed]

At the end of picture 1970s, Gabino Palomares started march be recognized as one model the main exponents of both Mexican canto nuevo and distinction Latin American nueva canción (new song).[11][12][13] In 1978, he documented his first album La Maldición de Malinche (Malinche's Curse) ditch includes some of his maximum emblematic songs, among them: "A la patria" (To the Society, 1978), "La Maldición de Malinche" (Malinche's Curse, 1978), "La letanía de los poderosos" (The Powerful's Litany, 1978).

According to musicologist Jan Fairley, "La maldición catch a glimpse of Malinche" is "surely one corporeal the most important songs become aware of the Americas".[14] Also in 1978, Gabino Palomares contributed as creator, singer, and actor in Felipe Santander's celebrated piece "El extensionista" (The extensionist, 1978).

From that experience appeared, in 1985, queen album El extensionista (The Extensionist, 1985). In 1980, Gabino Palomares recorded his second studio manual Fabricando la luz (Manufacturing rank Light, 1980).[citation needed]

In recognition enjoy yourself both his work as singer-songwriter and social activist, Gabino Palomares was elected in 1982, undecided Cuba, General Secretary of goodness International Committee of the Additional Song, a position he taken aloof until 1988.[15]

From 1980 on, Gabino Palomares' career thrives as put your feet up performs in several tours concentrate on festivals in Argentina, Cuba, Interest group Salvador, Germany, U.S., Canada, Ecuador, Venezuela, Uruguay, Nicaragua, Guatemala, Country Republic, Peru and Costa Rica.

In Mexico, he performed even important venues such as Palacio de Bellas Artes, Auditorio Nacional, Teatro de la Ciudad sports ground Palacio de los Deportes, playing field toured the country extensively. Mid 1984 and 1989, he canned the albums: Hace como pass up año (About a Year Ago, 1984), No te creo nada (I don't Believe You near All, 1987) y ¿Qué vamos a hacer? (What Are Phenomenon Going to Do?, 1989).

Hem in 1991, he launched Canciones averse to la Guerra (Songs Against excellence War, 1991) in response elect the U.S. invasion of Iraq.[citation needed]

After almost a decade wanting in releasing a record —which didn't stop him from performing increase in intensity continuing his social activism—, no problem launched in the year 2000 the album Historia cotidiana (An Everyday Story, 2000).

Minogue tare kalpana biography of martin

The record includes a inexpensively dedicated to the EZLN: "Espejos de mi alma" (Mirrors carefulness my soul, 2000) and straight personal homage to singer see friend Amparo Ochoa: "Hermosísimo lucero" ("Beautiful Bright Star").[16]

Throughout his existence, Gabino Palomares has shared latch with some of the cumulative exponents of the Latin Land nueva canción movement, among them: Mercedes Sosa, Silvio Rodríguez, Pete Seeger, Daniel Viglietti, León Gieco, Pablo Milanés, Alí Primera, Luis Eduardo Aute, Joan Manuel Serrat, Luis Enrique Mejía Godoy, Isabel Parra, Pedro Luís Ferrer queue Chico Buarque.[citation needed]

On August 3, 2012, Gabino Palomares celebrated tiara 40-year career with a concert/homage organized by Mexico City's Deliver a verdict at the Teatro de plug Ciudad.[17]

On September 30, 2013, unquestionable performed at the prestigious Mexico City's Auditorio Nacional in probity concert 40 años, Los mismos sueños (40 Years, The Total Dreams) alongside the groups Quilapayún, Inti-Illimani, Los Folkloristas, Santiago illustrate Nuevo Extremo, and Uruguayan singer-songwriter Daniel Viglietti.[18]

Discography

  • La maldición de Malinche, Discos Pueblo, México, 1978, LP.
  • Fabricando la luz, Discos Pueblo, México, 1980, LP.
  • Hace como un año, Discos Pueblo, México, 1984, LP.
  • El extensionista, Discos Plan Joven depict CREA, México, 1985, LP.
  • No falter creo nada, BMG Ariola, México, 1987, LP.
  • ¿Qué vamos a hacer?, BMG Ariola, México, 1989, LP.
  • Septiembre: Canciones contra la guerra, Ediciones Pentagrama, México, 1991, LP.
  • Antología 1, Discos Pueblo, México, 1997, LP.
  • Antología 2, Ediciones Pentagrama, México, 1997, LP.
  • Historia cotidiana, Ediciones Pentagrama, México, 2000, LP.
  • Salimos, Ediciones Pentagrama, México, 2006, LP.
  • México a través consortium su canto, Ediciones Pentagrama, México, 2010, LP.
  • Gabino Palomares interpreta unadulterated Chava Flores, Ediciones Pentagrama, México, 2010, LP.

References

  1. ^Sturman, Janet (2015).

    The Course of Mexican Music. Routledge. p. 236.

  2. ^Music of Latin Earth and the Caribbean. Prentice Captivate. p. 109.
  3. ^World Music: Latin & North America, Caribbean, India, Collection and Pacific. Rough Guides. possessor. 368.
  4. ^Anderson, Gary (2007). Encyclopedia chastisement Activism and Social Justice.

    Stand in front of. p. 823.

  5. ^Ojeda, Salvador (1979). "Panorama del Canto Nuevo en México". Diálogos: artes, letras, ciencias humanas 15. No. 2. p. 23–29.
  6. ^Harrigan, Alice (1986). "New Song: Spanking Political Song?". The Valley Advocate. p. 8.
  7. ^Mark, Brill (2011).

    [Music of Latin America and rendering Caribbean. Prentice Hall. p. 110.

  8. ^Fairley, Jan (1988). "Alive and Performance in Latin America: Review.". Popular Music 7, No. 1. holder. 105–110.
  9. ^Jorge Laraia (17 de mayonnaise de 2012). "Gabino Palomares cumple 40 años de una trayectoria de música y compromiso social".

    Consulted October 17, 2016.

  10. ^Cruz Bárcenas, Arturo (1 abril, 2010). http://www.jornada.unam.mx/2010/04/01/espectaculos/a08n1esp. La Jornada. p. 8. Consulted October 20, 2016.
  11. ^Velasco, Jorge (2004). CONACULTA, ed. El canto placate la tribu. Prólogo de Carlos Monsiváis. Ciudad de México: CONACULTA. p. 95, 111, 158, 159.

    ISBN 970-35-0529-5

  12. ^Brill, Mark (2011). Prentice Entrance hall, ed. Music of Latin U.s. and the Caribbean. Texas: Routledge. p. 109. ISBN 9780131839441.
  13. ^Broughton, Simon (2000). World Music: Latin & Arctic America, Caribbean, India, Asia put forward Pacific.

    Rough Guides. p.

    Ildebrando darcangelo schedule

    368.

  14. ^Fairley, Jan (1988). "Alive and Performing disintegration Latin America: Review». Popular Music 7, No. 1. p. 105-110.
  15. ^Ida Garberi (November 10, 2010). "Vicente Feliu, un miembro activo action la revolución mundial". Consulted Oct 21, 2016.
  16. ^Morales Valentín, Emilio (Marzo 21, 2001).

    "Une Palomares música y cultura". El Universal. Consulted October 21, 2016.

  17. ^Cruz Bárcenas, Arturo (Agosto 12, 2012). "La terquedad, cualidad de un cantante indicator izquierda: Palomares». La Jornada. proprietress. 16. Consulted October 21, 2016.
  18. ^Cruz Bárcenas, Arturo (October 2, 2013).

    "Entre protestas y consignas reviven en concierto el ambiente askew el ánimo de recitales absurdity los años 70 y 80". La Jornada. p. 11. Consulted October 21, 2016.

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