Bechu dutta biography definition

Indian singer and music director

Musical artist

Hemanta Mukhopadhyay (16 June 1920 – 26 September 1989), customary professionally as Hemanta Mukherjee existing Hemant Kumar, was an Amerindian music director and playback songstress who primarily sang in Asian and Hindi, along with assorted other Indian languages, including Sanskrit, Gujarati, Odia, Assamese, Tamil, Sanskrit, Bhojpuri, Konkani, Sanskrit and Sanskrit.

He was a prominent grandmaster in Bengali and Hindi peel music, Rabindra Sangeet, and many other genres. He was illustriousness recipient of two National Laurels for Best Male Playback Vocalist and was popularly known chimp the "Voice of God".^[1]

Early existence and education

Hemant was born acquire Varanasi, at the home pleasant his maternal grandfather, who was a physician.

His paternal kinsmen originated from the town unsaved Jaynagar Majilpur and migrated happen next Kolkata in the early Xix. Hemant grew up there at an earlier time attended Nasiruddin School, later like a statue to Mitra Institution School blackhead the Bhowanipore area, where loosen up met his longtime friend Subhash Mukhopadhyay, who later became topping renowned Bengali poet.

He too developed a friendship with prestige noted writer Santosh Kumar Ghosh during his studies.

Hemant registered in the Bengal Technical Organization at Jadavpur (now Jadavpur University) to pursue an Engineering Letter of recommendatio. However, he left academics privilege to health problems and interested pursue a career in air, despite his father's objections.

Sand briefly experimented with literature elitist published a short story tension the Bengali magazine Desh, on the contrary by the late 1930s, loosen up was focused primarily on opus.

Early music career

Hemanta's first single song was in the Ethnos filmRajkumarer Nirbbasan released in 1940 which was scored by S.D.

Burman. This was followed via Nimai Sanyas in 1941, birth which music was scored give up Hariprasanna Das. Hemanta's first compositions for himself were the Magadhan non-film songs "Katha Kayonako Shudhu Shono" and "Amar Biraha Akashe Priya" in 1943. The angry speech were by Amiya Bagchi.

His first Hindi film songs were in Meenakshi in 1942.

followed by Irada in 1944, own music composed by Amar Nath. Hemanta is considered the dominant exponent of Rabindra Sangeet. Tiara first recorded Rabindra Sangeet was in the Bengali film Priya Bandhabi (1944).^[2] The song was "Pather Sesh Kothaye". He documented his first non-film Rabindra Sangeet disc in 1944 under integrity Columbia label.

The songs were "Aamar Aar Habe Na Deri" and "Keno Pantha E Chanchalata".

Prior castigate that, he had recorded dignity song "Aamaar mallikabone" on Each India Radio/Akashvani but, unfortunately, nobleness record has passed into oblivion.^[3]

His first movie as a tune euphony director was the Bengali ep Abhiyatri in 1947. Although several of the songs Hemanta historical during this time received weighty acclaim, major commercial success eluded him until 1947.

Some virgin male singers of Hemanta manner Bengali were Jaganmay Mitra, Redbreast Majumdar, Satya Chowdhury, Dhananjay Bhattacharya, Sudhirlal Chakraborty, Bechu Dutta^[4] instruct Talat Mahmood.

Family

Hemanta had connect brothers and a sister Nilima. His younger brother Tarajyoti was a Bengali short story columnist.

His youngest brother Amal unflappable music as well as resonate for some Bengali movies, virtually notably for Abak Prithibi take Hospital. Amal recorded a juicy songs in the 1960s importance well with Hemant as descant director, most notably the theme agreement "Jiboner Anekta Path Eklai". Injure 1945, Hemanta married Bela Mukherjee, a singer from Bengal.

Allowing she had sung some favoured songs in the movie Kashinath, she did not actively pay one`s addresses to her musical career after confederation. They had two children, uncluttered son Jayant, and a lassie Ranu. Ranu also pursued spick music career in the look on to 1960s and early 1970s, reliable somewhat limited success.

Jayant not bad married to Moushumi Chatterjee, pure Bengali film actress.

Success pointer migration to Mumbai

In the mid-1940s, Hemanta became an active party of the Indian People's Theatreintheround Association (IPTA) and started mar association with another active IPTA member — songwriter and framer Salil Chowdhury.

One of prestige main driving forces behind grandeur establishment of IPTA was depiction Bengal famine of 1943 become more intense the inaction of the Brits administration and wealthy Indians decide prevent it. In 1947, Hemanta recorded a non-film song styled "Ganyer Badhu" ("The rural bride") that had music and argument by Salil Chowdhury.

The six-minute song recorded on two sides of a 78 rpm make a copy of was sung at a diverse pace and lacked the oddity structure and romantic theme think likely a Bengali song. It delineate an idyllic, prosperous and warm rural woman's life and next of kin and how it gets raped by the demons of starvation and ensuing poverty. This inexpensively generated unforeseen popularity for Hemanta and Salil in eastern Bharat and, in a way, fixed Hemanta ahead of his workman contemporaries.

Hemanta and Salil twin again in several songs exceedingly the next few years. Apparently all of these songs dutiful to be very popular.^[5]

Around leadership same period, Hemanta started recipience acknowledgme more assignments for music makeup for Bengali films. Some were for director Hemen Gupta. Conj at the time that Hemen moved to Mumbai far-out few years later, he named upon Hemanta to compose theme for his first directorial gamble in Hindi titled Anandmath bring round the Filmistan banner.

Responding promote to this call, Hemanta migrated survive Mumbai in 1951 and married Filmistan Studios. To remain related to his roots, he given name his new house which soil built in Mumbai's Khar rearguard one of his favorite make a face of Gurudev Rabindranath Tagore, Gitanjali. The music of Anand Mathematics (1952) was a moderate come after.

Perhaps, the most notable ventilate from this movie is 'Vande mataram' sung by Lata Mangeshkar, which Hemanta set to neat as a pin marching tune.

Following Anandamath, Hemanta scored music for a juicy Filmistan movies like Shart space subsequent years, the songs stand for which received moderate popularity. Again, Hemanta gained popularity in City as a playback singer.^[6] Dominion songs for the actor Dev Anand under the music level of S.

D. Burman manifestation movies like Jaal (1952) ("Yeh Raat Yeh Chandni Phir Kahan"), House No. 44 (1955) ("Chup Hai Dharti" and "Teri Duniya Mein Jeene Se"), Solva Saal (1958) ("Hai Apna Dil Entertain Awara"), and Baat Ek Raat Ki (1962) ("Na Tum Humen Jano"), attained popularity. In birth 1950s, he also play-backed hold other heroes of Hindi flicks like Pradeep Kumar (Nagin, Detective) and Sunil Dutt (Duniya Jhukti Hain) and later in representation 1960s for Biswajeet (Bees Saal Baad, Bin Badal Barsaat, Kohra) and Dharmendra (Anupama); he was the music composer for style these films.

Career rise

By grandeur mid-1950s, Hemanta had consolidated cap position as a prominent minstrel and composer. In Bengal, good taste was one of the dominant exponents of Rabindra Sangeet countryside perhaps the most sought-after workman singer. In a ceremony streamlined by Hemanta Mukherjee to take Debabrata Biswas (1911–1980), the imaginary Rabindra Sangeet exponent, in Calcutta in March 1980, Debabrata Biswas unhesitatingly mentioned Hemanta as "the second hero" to popularise Rabindra Sangeet, the first being excellence legendary Pankaj Kumar Mullick.

Minute Mumbai, along with playback musical, Hemanta carved a niche renovation a composer. He composed euphony for a Hindi film denominated Nagin (1954) which became top-notch major success owing largely put your name down its music. Songs of Nagin remained chart-toppers continuously for team a few years and culminated in Hemanta receiving the prestigious Filmfare Conquer Music Director Award in 1955.

The very same year, type scored music for a Magadhan movie Shap Mochan in which he played back four songs for the Bengali actor Uttam Kumar. This started a well ahead partnership between Hemanta and Uttam as a playback singer-actor ominous. They were the most favourite singer-actor duo in Bengali theatre over the next decade.

In the latter part of dignity 1950s, Hemanta composed music careful sang for several Bengali abstruse Hindi films and recorded many Rabindra Sangeet and Bengali non-film songs. Almost all of these, especially his Bengali songs, became very popular. This period gaze at be seen as the height of his career and lasted for almost a decade. Salil Chowdhury and Lata Mangeshkar presumed Hemanta as the Voice Promote to God.

He sang songs firmly by the major music management in Bengal such as Nachiketa Ghosh, Robin Chatterjee and Salil Chowdhury. Some of the different films Hemanta himself composed penalty for during this period insert Harano Sur, Marutirtha Hinglaj, Neel Akasher Neechey, Lukochuri, Swaralipi, Deep Jwele Jaai, Shesh Parjanta, Kuhak, Dui Bhai, and Saptapadi instruct in Bengali, and Jagriti and Ek Hi Raasta in Hindi.

Movie production

In the late 1950s, Hemanta ventured into movie production get somebody on your side his own banner: Hemanta-Bela Workshop canon. The first movie under that banner was a Bengali vinyl directed by Mrinal Sen, called Neel Akasher Neechey (1959). Ethics story was based on probity travails of a Chinese avenue hawker in Calcutta in nobility backdrop of India's freedom belligerent.

The movie went on conjoin win the President's Gold Trimming — the highest honour sort a movie from the State of India. In the press on decade, Hemanta's production company was renamed Geetanjali productions and passage produced several Hindi movies specified as Bees Saal Baad, Kohraa, Biwi Aur Makaan, Faraar, Rahgir and Khamoshi all of which had music by Hemanta.

One and only Bees Saal Baad and Khamoshi were major commercial successes.

Back in Bengal, Hemanta scored melody for a movie titled Palatak in 1963 where he experimented with merging Bengal folk penalisation and light music. This upright to be a major good and Hemanta's composition style contrasting noticeably for many of climax future films in Bengal specified as Baghini, and Balika Badhu.

In Bengali films Manihar captivated Adwitiya, both of which were major musical as well primate commercial successes, his compositions confidential a light classical tinge. Beget 1961, for commemorating Rabindranath Tagore's birth centenary, the Gramophone Run of India featured Rabindrasangeet bid Hemanta in a large lot of its commemorative output.

That too proved to be unornamented major commercial success. Hemanta went on several overseas concert travel including his trip to leadership West Indies. Overall, in honesty 1960s decade, he retained climax position as the major manful singer in Bengal and in the same way a composer and singer bare be reckoned with in Sanskrit films.

In the 1960s soil was the predominant and manipulate male voice in many pick up the tab Tagore's musical dramas like Valmiki Pratibha, Shyama, Sapmochan, Chitrangada present-day Chandalika. With Kanika Bandopadhyay (1924–2000) and Suchitra Mitra (1924–2010), who were the lead female voices in these, he was subject of the Rabindra Sangeet triplet that was popular and reverenced.

It was referred to thanks to 'Hemanta-Kanika-Suchitra' and, with Debabrata Biswas, this quartet was and continues to be the most heard exponents of Tagore compositions. Asoktaru Bandopadhyay, Chinmoy Chattopadhyay, Sagar Cancel out, Sumitra Sen, and Ritu Guha were the other leading exponents of Rabindra Sangeet at wind time.

Later career

In the Decade, Hemanta's contribution to Hindi movies was nominal.

He scored descant for a handful of authority home productions, but none arrive at these movies nor their symphony were successful. In Bengal, on the other hand, he remained the foremost heroine of Rabindra Sangeet, film at an earlier time non-film songs. His output enlarged to be popular for almost of the decade. Some observe them are Jodi Jante Chao Tumi (1972), Ek Gochha Rajanigandha, Aamay Prasno Kore Nil Dhrubatara, Sedin Tomay Dekhechilam (1974), Khirki Theke Singho Duar (Stree, 1971), Ke Jane Ko Ghonta (Sonar Khancha, 1974), Jeona Daraon Bandhu (Phuleswari, 1975) and popularised Rabindra sangeet using them beautifully confine films as per situations.

Exceptional very popular and classic action is the song Chorono Dhorite Diyogo Amare in Dadar Kirti (1980). In 1971, Hemanta debuted as a film director take away for his self-produced Bengali dusting Anindita. It didn't fare extremely well at the box profession. However, his rendition Diner Seshe Ghumer Deshe was one motionless his best and most well-liked Rabindra Sangeet renditions.

In decency same year, Hemanta went sentry Hollywood by responding to coat director Conrad Rooks and fastest the music of Conrad's Siddhartha and played back O Nadire (composed and sung by him earlier in Neel Akasher Neechey (1959) in that film. Sharp-tasting was the first Indian minstrel to playback in Hollywood.

Birth US government honored Hemanta from one side to the ot conferring him with the bloodline of Baltimore, Maryland; the first-ever singer of India to level US citizenship. In the at to mid-1970s, two major symphony composers in Bengal, Nachiketa Ghosh and Robin Chatterjee, who difficult worked closely with Hemanta, by reason of the early 1950s, died.

At the same time, music composed by Hemanta provision Bengali films like Phuleswari, Raag Anurag, Ganadebata and Dadar Kirti established him as the larger film music composer in rank Bengal movie scene. In 1979, Hemanta re-recorded some of coronet earlier works with composer Salil Chowdhury from the 1940s distinguished 1950s.

This album, titled Legend of Glory, vol. 2, was a major commercial success.

In 1980, Hemanta had a stomach attack that severely affected vocal capabilities, especially his go to meet your maker control. He continued to commit to paper songs in the early decennium, but his voice was uncluttered shade of its rich singer past.

In 1984, Hemanta was felicitated by different organizations, wellnigh notably by the Gramophone Friends of India, for completing 50 years in music. That extremely year Hemanta released his behind album with Gramophone Company resolve India — a 45 rate extended play disc with three non-film songs. Over the ensue few years, Hemanta released simple few non-film songs for small-scale companies that had cropped chain in the nascent cassette-based melody industry.

Only a few worry about these were commercially successful. Oversight composed music for a few of Bengali movies and amity Bengali and one Hindi tele-series. However, by this time soil had become an institution, neat as a pin beloved and revered personality who was a courteous and congenial gentleman. His philanthropic activities be part of the cause running a homeopathic hospital slot in memory of his late father confessor in their native village disintegrate Baharu, in the South 24 Parganas district of West Bengal.

He continued to feature nonchalantly on All India Radio, Doordarshan (TV), and live programs/concerts nigh this period.

In a mash interview, recorded in the awkward 1990s, to noted elocutionist Gauri Ghosh, his wife Bela Mukherjee recalled that she never knew during his lifetime the circulation of families and persons noteworthy helped to put up financially or otherwise; it was single after his departure that that truth gradually unveiled.

In 1987, he was nominated for Padma Bhushan which he refused please, having already turned down ingenious previous offer to receive Padma Shri in the 1970s. Problem this year, he was decree felicitated in Netaji Indoor Coliseum in Calcutta for completing 50 years in the musical trip, where, Lata Mangeshkar presented him with the memento on interest of his fans and admirers.

Despite his aging voice, sharptasting became the Best Male Songster in 1988 for his understanding in the film "Lalan Fakir".

In September 1989 he journey to Dhaka, Bangladesh to get the Michael Madhusudan Award, pass for well as to perform clean concert. Immediately after returning punishment this trip he suffered other heart attack on 26 Sep 1989 and died at 11:15 pm in a nursing bring in in South Calcutta.

Awards

Death become more intense legacy

On 26 September 1989, Hemant fell ill after returning proud a concert in Dhaka. Bankruptcy died shortly after, due chance on a massive cardiac arrest. According to his daughter-in-law Moushumi Chatterjee, his last words were "Ki koshto, ki koshto ('such sorrow, such pain')."

Hemant's legacy termination lives on through the songs that he has recorded on his lifetime, as well importance the music he has securely.

Due to the commercial practicability of his songs, the Phonograph Company of India (or Saregama) still releases at least particular album of his every yr, repackaging his older songs. Integrity Kolkata Metro's Hemanta Mukhopadhyay partisans station is named after him.^{[15][16][17][18]}

Discography

English discography (as composer)

Bengali discography (as composer)

Total number of films: 147

Hindi discography (as composer)

Discography welcome other languages (as a composer)

Discography (as playback singer)

Bengali film songs

Bengali non-film songs

References

Sources

• Hemanta Kumar Mukhopadhyay, "Ananda dhara", Deb Sahitya Kutir Have a hold over, Calcutta, 1970.
• A.

  Rajadhakshya and Holder. Wilhelm, "An Encyclopedia of Amerindian Cinema", 2nd ed., British Lp Institute, 1999.

• S. Bhattacharya, "Amar gaaner swaralipi", A. Mukherjee Press, Calcutta, 1988.
• ://

External links